Showing posts with label Genre: Post-Rock. Show all posts
Showing posts with label Genre: Post-Rock. Show all posts
Friday, February 20, 2015
Monday, February 09, 2015
Release The Long Ships - I Have Never Seen The Light
I love hearing stories. So when I stumbled upon this on a blog I follow, Veror's music blog (originally from an ArcticDrones interview), I had to share it here.
This is a man that prior to 2011 wasn't a musician, just someone that was passionate about music and listened to a lot of it. In 2011 he started his journey to explore his passion in music in a different way than just listening. I have so much admiration for this man. Whereas my exploration into my music passion branched into blogging, travelling huge distances, and other things, his passion led him to create. It is nothing short of beautiful to see one go out and put extra effort to experience what they're passionate about.
Previously known as Rain Catalogue, Release The Long Ships is Ferenc Kapiller from Szombathely, Hungary.
I was going to initially post The Heart of the Mountain until tears started pouring out of my eyes from I Have Never Seen The Light. Something about this song grips me...
Please visit ArcticDrones to read his words about his album, Wilderness.
And check out Ferenc's artwork on Pintrest.
[Last.fm] [Bandcamp] [Facebook]
(Albums available for streaming and purchase on Bandcamp.)
Thursday, January 29, 2015
To Kill A Petty Bourgeoisie - The Needle
[Last.fm] [Facebook] [Myspace] [Label]
(Album, The Patron, can be purchased on the label's website.)
(Album, The Patron, can be purchased on the label's website.)
Tuesday, January 27, 2015
April Rain - Constant Uncertainty Of Your Universe
It has been far too long since I posted. Lately I have been so disconnected from music. And because of that I have not been feeling myself for a while. But that needs to change. And with that change I should not only continue listening to music but I should also keep updating my blog to push me to keep listening and keep discovering and also keep sharing.
I restart with some post-rock from Ukraine.
[Last.fm] [Bandcamp] [Facebook]
(Albums available on Bandcamp for free or any price you choose.)
Tuesday, May 28, 2013
New Album Release: Lavinia - Take Shelter [ep]
(Instead of posting a song from their two track EP, I'll save you that experience for yourself. For this post, I'm going to use my favourite song on their last EP. I love obscure instruments in rock, so of course hearing banjo done well in an intense song is just so beautiful.)
Every time I visited my good friend in Boston my not listening to the other band he was in, Lavinia, somehow always came up. And he always took it modestly, "That's alright man," which made me feel worse about it. I have a feeling he knew I would eventually gravitate to Lavinia, it would just take some time. And eventually I did. There are bands that make you feel, then there are bands that make you FEEEEEEEEEEL. Lavinia instantly became among my favourite bands. I can't count how many times I listened to Bone & Arrow. (Well, actually, last.fm can count... 28, but I'm pretty sure that's not at all accurate.)
Sadly, though, Lavinia was very short-lived. After coming together, releasing their first EP in 2011 and touring a little they disbanded. However, there were still some songs unfinished. They came back together briefly to finish those songs. This new EP is them.
Download Take Shelter [ep] for a buck-fiddy on Bandcamp!
[Last.fm] [Bandcamp] [Facebook]
Monday, April 29, 2013
No Grave Like The Sea - One For Lyman (feat. Paul "Watty" Watson on cornet)
One of my favourite concert-going experiences is attending a concert for the headlining band just to find out that the opening band is equally as amazing. Two days ago I attended the If These Trees Could Talk concert. No Grave Like The Sea opened, and they blew me away. That night I don't see it as two openers (with Signal Hill) and a headliner, to me it was three headliners.
I had a great conversation with Benjamin (keyboards) after their soundcheck and prior to the show. We both agreed, there should be more brass... or generally more brass in instrumental rock. (Oooh, I just gave myself goosebumps imagining trombone in instrumental rock.)
Both Signal Hill and If These Trees Could Talk were superb. But I think my highlight of that evening was discovering a great band I didn't know about prior to the show.
Their EP currently only can be streamed or purchased at their concerts (it's in a really cool tin case with a parchment paper insert). The physical copy has the addition of this song, One For Lyman. Though, the
Edit: "Yes, brother there will be cornet on the record, that you can count on." -NGLTS Nicccccccce!
[Last.fm] [Bandcamp] [SoundCloud] [Facebook]
Thursday, March 08, 2012
Rocket Miner - It's The End Of The World (But This Is Just The Beginning)
When pertaining to music exploration, there is nothing quite as exciting as discovering an awesome band at a concert.
Rocket Miner opened up for Labirinto last night in Chicago. They started as we finished setting up the merch table. My ears perked and suddenly I found myself running to hear them play. These guys are a five piece with three guitars. The only time I remember being smacked with a wall of sound like this had been at Caspian shows. Ah, it felt nice.
We will definitely be listening to them on our way to our next show in Iowa.
[Last.fm] [Bandcamp] [Facebook]
(Albums available for free, or however much you decide to pay, on their Bandcamp page.)
Friday, March 02, 2012
6LA8 / MMI / Asfandyar Khan - Breathless
I always feel bad concerning 6LA8. They constantly pump out great, new stuff but I try to keep from repeating artists so much on my blog. However, there are moments that I just have to share. 6LA8 AND Asfandyar Khan... oh this is glorious. This is also the first I've heard MMI. And I have to say, I really like his stuff.
This song is on a collaboration album between 6LA8 and MMI, Reveries, which can be downloaded on Bandcamp (name your price).
Asfandyar Khan
[Last.fm] [Bandcamp] [Soundcloud] [Facebook] [Myspace]
6LA8
[Last.fm] [SoundCloud] [Facebook] [YouTube]
MMI
[Last.fm] [Bandcamp] [Soundcloud] [Twitter] [Blog]
Tuesday, February 28, 2012
Dumbsaint - Don't Forget To Bring Down The Sky
(Video has NSFW content)
Dumbsaint is from Sydney, Australia. They're releasing a new album in about a month (April 3rd). You can download this song for free and preorder their album from their Bandcamp page.
[Last.fm] [Bandcamp] [Facebook] [Soundcloud] [Blog]
Thursday, February 09, 2012
Absent Without Leave - Evening Walks
[Last.fm] [Bandcamp] [Soundcloud] [Facebook] [Myspace]
(Albums are available for purchase on Bandcamp.)
Friday, February 03, 2012
time&time - Darkness
My good friend, and time&time's label head, introduced me to this band. His pitch to me was, "instrumental jams with harmonica and shit." I was sold. I'm always open to music that incorporates instruments outside of their genre. I've heard a lot of post and progressive instrumental rock and I don't think I'll ever completely tire of the style. However, it is always refreshing hearing something different. And it isn't just the usage of harmonica (which is just featured in this song and Robot Reprise) that is different. They have a play style that is familiar for those that listen to post-rock but with influences that aren't commonly heard in the genre.
Now, I know the song abruptly ends (it leads into the next song), and normally I like to feature songs that don't do that just in regards to the artist. But this song has the harmonica and was what initially piqued my interest.
Also, for those viewers that live in or around St. Louis, time&time will be opening for two other phenomenal bands, O'Brother and Junius.
http://www.last.fm/event/3142993+O%27Brother-Junius
This should be a really good show.
[Last.fm] [Soundcloud] [Facebook] [Website] [YouTube]
(Albums are available for purchase on iTunes and can be streamed on Spotify.)
Tuesday, January 31, 2012
Exilym - One More Step Before The End
[Last.fm] [Facebook] [Myspace] [Website] [Label (Bandcamp)]
(Albums are available for purchase on their Label's bandcamp page. Hard copies can be purchased on their website.)
Friday, January 06, 2012
Circadian Eyes - When We Float
[Last.fm] [Bandcamp] [Facebook] [Myspace]
(Albums are available for purchase and free download on Bandcamp.)
Wednesday, December 28, 2011
Misuse - "Marsupial - Part II"
Misuse is the first artist that introduced me to the Greek instrumental rock scene. For some time I thought they were no more. But apparently they've been busy with their new album! April was released last month but was brought to my attention just recently.
This last week of 2011 has been filled with surprises. Félperc is making new music and I find out one of the bands I really like is still very much in existence. 2011 is ending quite well! I wonder what more surprises will lie in store for the next three days to wrap up the year...
[Last.fm] [Bandcamp] [Facebook] [Myspace] [Soundcloud] [Website]
(Albums are available for purchase on Bandcamp.)
Tuesday, December 27, 2011
Félperc - Something New
A while ago I was conversing with István. He informed me that he was going to quit writing music. Being a big fan of his work, I was pretty bummed out. Earlier today I get a message from him...
István: started to make new songs
István hell yeah
Hell yeah indeed!!!
This brings me great excitement.
[Last.fm] [Bandcamp] [Facebook]
(Older albums are available for download on last.fm, his newer work is available on bandcamp.)
Tuesday, December 20, 2011
417.3 - ~
For a while I've wondered if or when 417.3 will be coming out with a new album. And then I saw RibsOut's post earlier this month. Needless to say, I was extremely excited. I love their -- album, especially the track +8.
Also, check out RibsOut! It's a great blog!
[Last.fm] [Facebook] [Myspace]
(Albums are available for free on Last.fm or download here.)
Tuesday, December 13, 2011
Ramblings: Taking the music experience to another level
It has been my ongoing personal goal to experience music in different ways and I have been fortunate to have many amazing experiences with live music, recorded music, and with the musicians. When I discovered sensory deprivation I instantly thought of ways I can integrate music into it.
Isolation Tank
My means of ultimate sensory deprivation was float tanks (aka sensory deprivation tank, isolation tank). I first discovered floating from the television show, Fringe. Curious to see if those actually existed, I did a search and came across a few of Joe Rogan's videos explaining these. Float tanks are large enclosed tanks filled with epsom salt water (to allow for better buoyancy). As you're floating your sense of sight is completely deprived while all other senses such as touch, hearing, and your sense of gravity is highly dampened.
My first float
As my flight date departing from Los Angeles was creeping nearer, I decided to just do it... experience music in isolation. The first facility here in LA that popped up on my search was Soothing Solutions (site is currently down, try here in the mean time). For first time customers they charge you for a one hour session and give you the second one for free. So I decided to so a first float in silence then the second with music. And I didn't know until I arrived there, apparently this is the place Joe Rogan was introduced to floating.
Well, my first experience with floating was a couple days ago and it was nice. But it wasn't quite as psychedelic as I have heard others describe their experiences. The first float, they said, is usually an introductory float so you can figure out what is a comfortable position (it's surprising how even a slight movement of the arm or leg allows you to reach that comfort level) and learn how to stabilize yourself in the centre of the tank and prevent yourself from drifting into the walls. While I found that comfortable spot and quickly learned how to prevent myself from drifting into the walls quite as frequently, I could not ease my mind. The silence only put my mind on overdrive. At moments I would exhaust myself. However, overall, it was extremely relaxing. I like to describe it as conscious unconsciousness. I was incredibly rested even though I was completely conscious even with my eyes open the entire time. In complete silence time ticks by slowly. An hour feels like three.
Experiencing music under sensory deprivation
My first experience made me really refine my playlist for my second float. I had already predetermined that my second float will include music. But the original plan was thirty minutes of silence and thirty minutes of music. Well, at this point I haven't quite trained myself to ease my mind, so I formed a playlist to turn the entire one hour float into a music experience.
Act 1 - The Mind (Ambient music)
*5 minutes of silence*
The American Dollar - Rudiments Of A Spiritual Life (Ambient)
Basheer & The Pied Pipers - paperdolls
Tomáš Dvořák - The Glasshouse With Butterfly
Act 2 - The Heart (Post-Rock, Classical)
*5 minutes of silence*
Years Of Rice And Salt - Nothing Of Cities
Arvo Pärt - Silouans Song (Tallin Chamber Orchestra)
Act 3 - Passion (Post-Rock)
*5 minutes of silence*
Caspian - Moksha
Colour For A Rebel - High
The plan was to have three experiences starting with a sort of ethereal experience with the Ambient music, then emit strong emotions with a post-rock song that seems to spark some intense emotion within myself and a classical piece that destroyed me a few months ago, then finish the experience with an intense song from a band that sparked my passion in music and another personal favourite song from one of my favourite one-man projects.
I gave myself five minutes to get situated and comfortable before my float started. I was in such great anticipation that this five minutes just felt like it was dragging on... until a high pitched tone struck my ears and gradually became louder until I felt the ambient sounds encompass my body.
Act 1
Rudiments Of A Spiritual Life
I expected to become overwhelmed with the music, but not once did I even think about the audio vibration transfer into the water. The sound waves were literally encompassing my body. I wasn't just listening to the music, I was feeling the music all over. A big grin came across my face as I thought, "this next hour is going to be freakin' awesome."
paperdolls
The American Dollar starts fading and I feel myself somewhat disappointed. I want the song to go on for longer. Even though the moment of silence was only a couple seconds, it felt much longer as I anticipated paperdolls. Then it quickly fades in. I was waning out of the initial excitement and ready to let my mind go to the music. I could feel my body relaxing and my mind releasing through the soothing and unusual sounds of paperdolls. And as quickly as it faded in, it faded out. Again, I feel disappointed that my Basheer & The Pied Pipers experience was so short.
The Glasshouse With Butterfly
It had been a little while since I listened to this particular track. From memory I knew it was beautiful, but my heart had forgotten the feeling of this song. When the track started I thought, "oh yeah..." as I instantly felt that surge of emotion. And as the track continued to progress, the piano comes in. My heart starts to wrench. And then 2:09... the emotional build up is so intense tears can't even build up. My body begins to feel like it's transcending. I feel like I'm no longer laying down in a pool of water but standing, witnessing these shapes form in the darkness with strobes of light flashing in the corners of my vision. The song, so emotional, so intense filling my body. And then it ends. And I'm back in the pool, hearing my heart beat for the next five minutes.
Act 2
Nothing Of Cities
My mind starts to go on overdrive again, thinking about how amazing that experience was and excited about the next two songs. Years Of Rice And Salt starts with some gentle guitar. As I'm listening I'm surprised at the lack of emotion building up. It then hit me, albeit, while depriving my senses has so far created an extremely surreal experience, the way I express emotions from this song, the rocking movements I make, has a lot to do with how the emotions continue to build up. It was actually fairly difficult forcing myself to lay still and thus I didn't quite have the normal build-up of emotion as I usually do throughout the entire song. But it wasn't until the moment when the floor toms kicked in (8:05) and I felt every single hit throughout my body when emotions rushed in. It was like a dam breaking. Chills filled my entire body. And then it happened again, except I wasn't standing... I wasn't anywhere. I didn't feel the water, I didn't physically feel anything except for a single tear running down the side of my face. This song had completely captured me and took me in. I was in a moment where all I knew was the music that was entering my ears. Then as the song neared the end I was brought back. "Wow..."
Silouans Song
"If Nothing Of Cities was that intense, this song may end up completely destroying me." As soon as the song starts I made a dreadful realization... it's too quiet... way, way too quiet. I could vaguely hear the music. If it weren't for the fact that I've heard this song quite a few times, I probably wouldn't have been able to make out what it sounded like. However, strangely enough, even though I could barely even hear it my vision was spazzing out pretty hard on me. The strobe flashes became very intense. When the song reached its climax emotions erupted. However, they weren't nearly as intense as they had been before. Not being able to hear the buildup to that climax really hurt the overall experience of that song. I hate to say this, but it was a major disappointment. In retrospect, I should have jacked up the levels of the track so the quieter portions could be audible under water. I was hoping to experience a complete and uncontrollable eruption of emotions, but that didn't quite happen. And to be honest, even if it was loud enough for me to fully experience the song, I'm not entirely sure sensory deprivation would have intensified the emotions. Much like my experience with Nothing Of Cities, but a whole lot more intense, this song causes me to curl and tense my body, my hands tightly grip on themselves (or whatever is within range), my head bows down with my chin pressed on my chest... all of these actions add to the intensity of this song, and without that I don't think it'd erupt such emotions even in a float tank. But anyway...
Final Act
Moksha
The five minutes of silence went by unbelieveably quick. Normally under sensory deprivation silence feels like time is progressing slowly. When Moksha started playing my excitement had burst. This is a band that means a lot to me, so experiencing this was a very intimate moment. And then something happened that made the experience less than exceptional. "Something is missing..." I lift my head up, allowing my ears to rise above the water surface then lower it again. "I can't hear Phil's guitars at all under water!!" As disappointed as I was with my lack of forethought when I added Silouans Song, I was way more bummed out about this. I quickly learned that there is a certain pitch that simply doesn't penetrate through water, and that pitch just happened to be exactly the pitch that infinitely intensifies this song. This was difficult, this band is so influential to me and I wanted to experience them in this kind of setting... and yet I couldn't truly experience them. However, even with that slight disappointment, I seemed to get more consistent transcending feelings than the prior songs. At one point I felt myself somewhat floating and looking back at the song. (Don't ask... I really don't know how to describe looking back at sound.)
High
I was worried at first that my experience with this song would end up as somewhat of a letdown as well, ending my amazing experience with three slight disappointments in a row. But not only did it seem to translate well through the water, it was literally like getting smacked into a wall of music. And knowing the story behind this song (it's a love song, not a song about getting stoned) the emotional rush was intense. At one moment it felt like I was being ripped out of the tank, being pulled from my chest, whenever the song instantly turned intense and brought back in when the song mellows again. I couldn't think of a better way to end this float experience.
Final Thoughts
This was probably one of the most unique and amazing music experiences. To not only listen to music but to feel it rush through every part of your body is such an intense experience. I wouldn't say that it is a more intense experience than listening to it without sensory deprivation. I quickly learned that movement of your body can also stir emotions and amplify intensity, since in the tank you don't quite move much (if at all). Nothing Of Cities is a prime example of this. Without sensory deprivation this entire song grips my heart. But with sensory deprivation I seem disconnected with the first half but the emotions the second half causes is extremely overwhelming.
Next time I will have to do some more tests and research while setting up my playlist, even go as far as placing speakers against a filled tub, dunking my head in the water, and seeing if I can hear each instrument. This experience only makes me want to do another float session and try another Caspian song, most likely Quovis/Further Up/Further In.
All of the songs I have linked on this post are a part of a playlist I uploaded to Soundcloud for the purpose of this post. If you wish to get a hold of these songs please visit the artists' pages. Most of them will be purchasable (or freely downloadable) on their bandcamp pages.
The American Dollar
[Last.fm] [Bandcamp] [Facebook] [Myspace] [Big Cartel]
Basheer & The Pied Pipers
[Last.fm] [Bandcamp] [SoundCloud] [Facebook] [YouTube]
Tomáš Dvořák
[Last.fm] [Machinarium] [Amanita Design]
(Dvořák is a soundtrack artist for Amanita Design. His work comes with the purchase of their games, which are as artistically beautiful as Dvořák music is.)
Years Of Rice And Salt
[Last.fm] [Service Bell EP (Bandcamp)] [Nothing Of Cities (Bandcamp)] [Facebook] [Myspace] [Website]
Arvo Pärt
Search Tallin Chamber Orchestra or Estonian Philharmonic Chamber Choir on iTunes. They have done various Pärt pieces. Silouans Song is on the Te Deum album.
Caspian
[Last.fm] [Bandcamp] [Facebook] [Myspace] [Blog] [Website]
Colour For A Rebel
[Last.fm] [Bandcamp] [Facebook] [Myspace]
For those that live in Los Angeles,
Soothing Solutions
207 W. Alameda Ave.
Burbank, CA 91502
[Website]
Isolation Tank
My means of ultimate sensory deprivation was float tanks (aka sensory deprivation tank, isolation tank). I first discovered floating from the television show, Fringe. Curious to see if those actually existed, I did a search and came across a few of Joe Rogan's videos explaining these. Float tanks are large enclosed tanks filled with epsom salt water (to allow for better buoyancy). As you're floating your sense of sight is completely deprived while all other senses such as touch, hearing, and your sense of gravity is highly dampened.
My first float
As my flight date departing from Los Angeles was creeping nearer, I decided to just do it... experience music in isolation. The first facility here in LA that popped up on my search was Soothing Solutions (site is currently down, try here in the mean time). For first time customers they charge you for a one hour session and give you the second one for free. So I decided to so a first float in silence then the second with music. And I didn't know until I arrived there, apparently this is the place Joe Rogan was introduced to floating.
Well, my first experience with floating was a couple days ago and it was nice. But it wasn't quite as psychedelic as I have heard others describe their experiences. The first float, they said, is usually an introductory float so you can figure out what is a comfortable position (it's surprising how even a slight movement of the arm or leg allows you to reach that comfort level) and learn how to stabilize yourself in the centre of the tank and prevent yourself from drifting into the walls. While I found that comfortable spot and quickly learned how to prevent myself from drifting into the walls quite as frequently, I could not ease my mind. The silence only put my mind on overdrive. At moments I would exhaust myself. However, overall, it was extremely relaxing. I like to describe it as conscious unconsciousness. I was incredibly rested even though I was completely conscious even with my eyes open the entire time. In complete silence time ticks by slowly. An hour feels like three.
Experiencing music under sensory deprivation
My first experience made me really refine my playlist for my second float. I had already predetermined that my second float will include music. But the original plan was thirty minutes of silence and thirty minutes of music. Well, at this point I haven't quite trained myself to ease my mind, so I formed a playlist to turn the entire one hour float into a music experience.
Act 1 - The Mind (Ambient music)
*5 minutes of silence*
The American Dollar - Rudiments Of A Spiritual Life (Ambient)
Basheer & The Pied Pipers - paperdolls
Tomáš Dvořák - The Glasshouse With Butterfly
Act 2 - The Heart (Post-Rock, Classical)
*5 minutes of silence*
Years Of Rice And Salt - Nothing Of Cities
Arvo Pärt - Silouans Song (Tallin Chamber Orchestra)
Act 3 - Passion (Post-Rock)
*5 minutes of silence*
Caspian - Moksha
Colour For A Rebel - High
The plan was to have three experiences starting with a sort of ethereal experience with the Ambient music, then emit strong emotions with a post-rock song that seems to spark some intense emotion within myself and a classical piece that destroyed me a few months ago, then finish the experience with an intense song from a band that sparked my passion in music and another personal favourite song from one of my favourite one-man projects.
I gave myself five minutes to get situated and comfortable before my float started. I was in such great anticipation that this five minutes just felt like it was dragging on... until a high pitched tone struck my ears and gradually became louder until I felt the ambient sounds encompass my body.
Act 1
Rudiments Of A Spiritual Life
I expected to become overwhelmed with the music, but not once did I even think about the audio vibration transfer into the water. The sound waves were literally encompassing my body. I wasn't just listening to the music, I was feeling the music all over. A big grin came across my face as I thought, "this next hour is going to be freakin' awesome."
paperdolls
The American Dollar starts fading and I feel myself somewhat disappointed. I want the song to go on for longer. Even though the moment of silence was only a couple seconds, it felt much longer as I anticipated paperdolls. Then it quickly fades in. I was waning out of the initial excitement and ready to let my mind go to the music. I could feel my body relaxing and my mind releasing through the soothing and unusual sounds of paperdolls. And as quickly as it faded in, it faded out. Again, I feel disappointed that my Basheer & The Pied Pipers experience was so short.
The Glasshouse With Butterfly
It had been a little while since I listened to this particular track. From memory I knew it was beautiful, but my heart had forgotten the feeling of this song. When the track started I thought, "oh yeah..." as I instantly felt that surge of emotion. And as the track continued to progress, the piano comes in. My heart starts to wrench. And then 2:09... the emotional build up is so intense tears can't even build up. My body begins to feel like it's transcending. I feel like I'm no longer laying down in a pool of water but standing, witnessing these shapes form in the darkness with strobes of light flashing in the corners of my vision. The song, so emotional, so intense filling my body. And then it ends. And I'm back in the pool, hearing my heart beat for the next five minutes.
Act 2
Nothing Of Cities
My mind starts to go on overdrive again, thinking about how amazing that experience was and excited about the next two songs. Years Of Rice And Salt starts with some gentle guitar. As I'm listening I'm surprised at the lack of emotion building up. It then hit me, albeit, while depriving my senses has so far created an extremely surreal experience, the way I express emotions from this song, the rocking movements I make, has a lot to do with how the emotions continue to build up. It was actually fairly difficult forcing myself to lay still and thus I didn't quite have the normal build-up of emotion as I usually do throughout the entire song. But it wasn't until the moment when the floor toms kicked in (8:05) and I felt every single hit throughout my body when emotions rushed in. It was like a dam breaking. Chills filled my entire body. And then it happened again, except I wasn't standing... I wasn't anywhere. I didn't feel the water, I didn't physically feel anything except for a single tear running down the side of my face. This song had completely captured me and took me in. I was in a moment where all I knew was the music that was entering my ears. Then as the song neared the end I was brought back. "Wow..."
Silouans Song
"If Nothing Of Cities was that intense, this song may end up completely destroying me." As soon as the song starts I made a dreadful realization... it's too quiet... way, way too quiet. I could vaguely hear the music. If it weren't for the fact that I've heard this song quite a few times, I probably wouldn't have been able to make out what it sounded like. However, strangely enough, even though I could barely even hear it my vision was spazzing out pretty hard on me. The strobe flashes became very intense. When the song reached its climax emotions erupted. However, they weren't nearly as intense as they had been before. Not being able to hear the buildup to that climax really hurt the overall experience of that song. I hate to say this, but it was a major disappointment. In retrospect, I should have jacked up the levels of the track so the quieter portions could be audible under water. I was hoping to experience a complete and uncontrollable eruption of emotions, but that didn't quite happen. And to be honest, even if it was loud enough for me to fully experience the song, I'm not entirely sure sensory deprivation would have intensified the emotions. Much like my experience with Nothing Of Cities, but a whole lot more intense, this song causes me to curl and tense my body, my hands tightly grip on themselves (or whatever is within range), my head bows down with my chin pressed on my chest... all of these actions add to the intensity of this song, and without that I don't think it'd erupt such emotions even in a float tank. But anyway...
Final Act
Moksha
The five minutes of silence went by unbelieveably quick. Normally under sensory deprivation silence feels like time is progressing slowly. When Moksha started playing my excitement had burst. This is a band that means a lot to me, so experiencing this was a very intimate moment. And then something happened that made the experience less than exceptional. "Something is missing..." I lift my head up, allowing my ears to rise above the water surface then lower it again. "I can't hear Phil's guitars at all under water!!" As disappointed as I was with my lack of forethought when I added Silouans Song, I was way more bummed out about this. I quickly learned that there is a certain pitch that simply doesn't penetrate through water, and that pitch just happened to be exactly the pitch that infinitely intensifies this song. This was difficult, this band is so influential to me and I wanted to experience them in this kind of setting... and yet I couldn't truly experience them. However, even with that slight disappointment, I seemed to get more consistent transcending feelings than the prior songs. At one point I felt myself somewhat floating and looking back at the song. (Don't ask... I really don't know how to describe looking back at sound.)
High
I was worried at first that my experience with this song would end up as somewhat of a letdown as well, ending my amazing experience with three slight disappointments in a row. But not only did it seem to translate well through the water, it was literally like getting smacked into a wall of music. And knowing the story behind this song (it's a love song, not a song about getting stoned) the emotional rush was intense. At one moment it felt like I was being ripped out of the tank, being pulled from my chest, whenever the song instantly turned intense and brought back in when the song mellows again. I couldn't think of a better way to end this float experience.
Final Thoughts
This was probably one of the most unique and amazing music experiences. To not only listen to music but to feel it rush through every part of your body is such an intense experience. I wouldn't say that it is a more intense experience than listening to it without sensory deprivation. I quickly learned that movement of your body can also stir emotions and amplify intensity, since in the tank you don't quite move much (if at all). Nothing Of Cities is a prime example of this. Without sensory deprivation this entire song grips my heart. But with sensory deprivation I seem disconnected with the first half but the emotions the second half causes is extremely overwhelming.
Next time I will have to do some more tests and research while setting up my playlist, even go as far as placing speakers against a filled tub, dunking my head in the water, and seeing if I can hear each instrument. This experience only makes me want to do another float session and try another Caspian song, most likely Quovis/Further Up/Further In.
All of the songs I have linked on this post are a part of a playlist I uploaded to Soundcloud for the purpose of this post. If you wish to get a hold of these songs please visit the artists' pages. Most of them will be purchasable (or freely downloadable) on their bandcamp pages.
The American Dollar
[Last.fm] [Bandcamp] [Facebook] [Myspace] [Big Cartel]
Basheer & The Pied Pipers
[Last.fm] [Bandcamp] [SoundCloud] [Facebook] [YouTube]
Tomáš Dvořák
[Last.fm] [Machinarium] [Amanita Design]
(Dvořák is a soundtrack artist for Amanita Design. His work comes with the purchase of their games, which are as artistically beautiful as Dvořák music is.)
Years Of Rice And Salt
[Last.fm] [Service Bell EP (Bandcamp)] [Nothing Of Cities (Bandcamp)] [Facebook] [Myspace] [Website]
Arvo Pärt
Search Tallin Chamber Orchestra or Estonian Philharmonic Chamber Choir on iTunes. They have done various Pärt pieces. Silouans Song is on the Te Deum album.
Caspian
[Last.fm] [Bandcamp] [Facebook] [Myspace] [Blog] [Website]
Colour For A Rebel
[Last.fm] [Bandcamp] [Facebook] [Myspace]
For those that live in Los Angeles,
Soothing Solutions
207 W. Alameda Ave.
Burbank, CA 91502
[Website]
Monday, December 05, 2011
Rosa Parks - Only The Lights
This entire time I thought I already posted Rosa Parks on my blog. To my surprise... NOPE! Well, that will be changing tonight.
Hailing from Győr, Magyarország (Hungary), Rosa Parks is a four piece post-rock band. While primarily post-rock, they do incorporate some math rock and screamo aspects in their music. They also have a very grand sound to them, very massive. Among the few really good post-rock-ish bands in Hungary, these guys seem to get the least spotlight.
When I visited Hungary earlier this year I got to see the two of the three Hungarian bands I really wanted to see, Marionette ID and Képzelt Város. But I couldn't catch a Rosa Parks show. I have made it one of my major goals to catch a them on my next trip next Spring. Now, what would be awesome would be an mID, KV, and RP show. Oh I would be the happiest man alive. Hah hah. Hey, I can dream, can't I?
[Last.fm] [Bandcamp] [Facebook] [Myspace]
(Albums are available for 1 USD on Bandcamp or for free here [provided by the band]. But hey, it's just 1 buck!)
Friday, December 02, 2011
Labirinto - Cairo (More Hope For Japan)
Among many other artists, Labirinto gave their contribution to the More Hope For Japan project. More Hope For Japan has been a worldwide project joining various artists from various countries together to support the recent nuclear disaster in Japan. Collectively project has included artists from Austria (Our Ceasing Voice), Greece (Absent Without Leave), Ireland (And So I Watch You From Afar), Pakistan (6LA8, Asfandyar Khan), United States (Tennessee: Ocean Architecture, The Ascent Of Everest; New York: Circadian Eyes, The American Dollar), England (Matt Stevens, Good Weather For An Air Strike), Canada (thisquietarmy), Brazil (Labirinto), from Japan itself (Anoice, Yuki Murata), and many more countries, many more artists. You can preorder More Hope For Japan and offer donations for the Hope For Japan albums here. The album will be released December 9th.
And also check up on Labirinto for updates on their upcoming tour plans and their new EP release.
Hope For Japan
[Website]
Labirinto
[Last.fm] [Bandcamp] [Facebook] [Twitter] [Website]
(Download their EP, Etéreo, free and purchase their latest album, Anatema, on Bandcamp.)
Wednesday, November 16, 2011
Absinthe House - Awake
Tipu from 6LA8 has been sending me some fantastic stuff lately. These guys are much more experimental than the post-rock tag implies. But I had to use some kind of tag. What really caught me were some of the alternative rock bits in some of the songs. Surprisingly enough, I haven't heard a lot of experimental, fusion bands incorporate some of the alternative style.
[Last.fm] [SoundCloud] [ReverbNation] [Facebook] [Myspace]
(Album can be downloaded via SoundCloud [a couple tracks have reached their download limit] and ReverbNation.)
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